I build products from zero. Fifteen years of it, mostly as a co-founder and mostly through a design lens. I think about systems, platforms, and flywheels more than drop-shadows. Every role has come to me through referral. Lately I’ve been shipping AI-native products with small teams. I’m looking for what comes next, and increasingly, that’s the harder problems that come with scale.
Currently building GoodLocal, a rewards platform for local commerce. Previously AI creative systems with StyleOf, and a 3-sided marketplace mission at Retailsphere. One successful exit and plenty of learning experiences. Living the life with my wife in Boston. Remote working before it was cool (~15 years).

Staff / Principal IC

0

1

Scale

AI-native

Platform & Systems

Remote

I build products from zero. Fifteen years of it, mostly as a co-founder and mostly through a design lens. I think about systems, platforms, and flywheels more than drop-shadows. Every role has come to me through referral. Lately I’ve been shipping AI-native products with small teams. I’m looking for what comes next, and increasingly, that’s the harder problems that come with scale.
Currently building GoodLocal, a rewards platform for local commerce. Previously AI creative systems with StyleOf, and a 3-sided marketplace mission at Retailsphere. One successful exit and plenty of learning experiences. Living the life with my wife in Boston. Remote working before it was cool (~15 years).

Staff / Principal IC

0

1

Scale

AI-native

Platform & Systems

Remote

Capability Stack

Capability Stack

Audio onAudio offVisual craft & tasteBrand & art directionUX/UIProduct thinkingPlatform thinkingAI-native build2006Parallel2010Struck2011Nuvi +2016Independent2019Retailsphere2023StyleOf2025 – nowGoodLocal
2025 — now: Building the full loop
GoodLocal is the first place where everything is fully connected: brand, product, AI, code, tooling, and business model design. With one co-founder, I’m building a local commerce network effect and using AI throughout the process. The work now feels closer to how I always wanted to build.
Audio onAudio offVisual craft & tasteBrand & art directionUX/UIProduct thinkingPlatform thinkingAI-native build2006Parallel2010Struck2011Nuvi +2016Independent2019Retailsphere2023StyleOf2025 – nowGoodLocal
2025 — now: Building the full loop
GoodLocal is the first place where everything is fully connected: brand, product, AI, code, tooling, and business model design. With one co-founder, I’m building a local commerce network effect and using AI throughout the process. The work now feels closer to how I always wanted to build.

Selected Work

Selected Work

StyleOf: Studio

2023 - 2025

A creator platform for owning your style in the age of generative AI.

A creator platform for owning your style in the age of generative AI.

A past Parallel client reached out while exploring a new AI platform for creatives. I had been experimenting with generative AI and wanted to make it a deeper part of my work, so the timing was right. StyleOf started with a small team: the CEO, a couple engineers, and me. The core idea was simple but difficult. As AI image generation flooded the internet with work trained on artists’ styles, could we give creators a way to participate, control the experience, and earn from it?

StyleOf Studio became the core product. Artists could train their own model, test the results, approve how their style could be used, and launch shareable campaigns where fans could generate personalized artwork in that artist’s style. We never raised the round, but the work became one of the most important AI learning experiences of my career. It forced me to design around model behavior, artist trust, fan creativity, and a technology layer that was changing almost weekly.

65M images created

55K fans received personalized artwork

Built and launched the core creator workflow for training, testing, approving, and sharing AI styles

Explored multiple AI product wedges while searching for product market fit

Read about the challenges and learnings

The hard parts

Generative AI was moving faster than the product could comfortably stabilize. New models, new interaction patterns, and new expectations were appearing constantly.

Model training also had a learning curve. For some artists, it worked quickly. For others, it became a craft of its own: choosing the right inputs, testing outputs, understanding what the model captured, and deciding what level of control mattered.

The hardest product question was not just “can this generate good images?” It was “what does control feel like to an artist when the material is their own style?”

Learnings

StyleOf gave me a practical foundation in how AI models are trained, tested, shaped, and experienced by real users. It also taught me how much complexity has to stay behind the scenes for AI products to feel approachable.

The work sharpened my belief that authenticity becomes more important, not less, as AI adoption grows. When generation becomes abundant, trust, permission, taste, authorship, and human context become the differentiators.

Retailsphere

2019 - 2024

The Bloomberg of retail real estate. Building the leasing flywheel.

The Bloomberg of retail real estate. Building the leasing flywheel.

I joined Retailsphere through a referral. The founder had built a valuable retailer database and a scrappy front-end for exploring it. My role was to turn that raw advantage into a product platform. Coming out of COVID, commercial real estate teams needed faster ways to find, understand, and reach the right tenants. The industry still ran on relationships, manual research, stale data, and fragmented workflows. We wanted to make the right handshake happen faster.

Over five years, I helped build Retailsphere into a three-sided platform between retailers, property owners, and brokers. The work spanned DaaS, CRM, tenant discovery, market research, lead signals, automations, dashboards, permissions, email cadences, and data operations. The role stretched well beyond traditional product design. I shaped the roadmap, stayed hands-on in Figma, partnered closely with engineering, supported sales and investor conversations, and helped connect product decisions to the company’s financial model. The visible UI was only the surface; much of the real design work lived in the systems underneath it.

Grew from $0 to $1.2M ARR

Reduced quarterly churn to ~2%

Increased data operations efficiency by 1,100%

Improved new-logo sales from roughly 1 per month to 5+ per month

Helped redesign workflows that supported a 20-person data team

Built platform systems across DaaS, CRM, marketplace, and marketing automation

Read about the challenges and learnings

The hard parts

Retailsphere was not one product with one user journey. It was a connected system of tools serving different sides of the retail leasing market.

Retailers, property owners, brokers, sales teams, data teams, and internal operators all needed different things from the same underlying data. A change in one place could affect lead quality, sales workflows, data collection, customer trust, or the economics of the business.

The hardest work was deciding what to build next. Product-market fit felt less like a single unlock and more like a sequence of bets: improving data quality, making discovery easier, creating sharper signals, supporting CRM workflows, and finding the mechanics that could compound into a marketplace.

Learnings

Retailsphere is where platform thinking became my day-to-day work.

It sharpened how I think about systems, not just screens: how data is collected, how workflows compound, how internal operations affect customer experience, how privacy and permissions shape trust, and how product decisions show up in revenue, churn, and margin.

It also changed how I lead. I learned to move between altitude levels quickly — from polishing UI details, to planning sprints, to shaping the roadmap, to supporting sales, to understanding what would get the company closer to profitability.

StyleOf: Muse Pro

2024

Real-time AI guided by your hand.

Real-time AI guided by your hand.

Muse Pro was an iPad and iPhone drawing app where AI worked alongside the artist in real time. One engineer and I built it in about two months as a focused StyleOf product bet.

At the time, many generative AI products were trying to remove the human from the process. We made the opposite bet: artists wanted more control, not less. The AI needed to understand the direction of the work, respond to the hand, and help shape the image without taking it over.

The product also created a bridge back to StyleOf Studio. Artists using Muse Pro could eventually draw with their own trained models, turning StyleOf from a model-training platform into a more complete creative workflow. Muse Pro was well received, but the unit economics of real-time generative AI in 2024 made it difficult to price for the prosumer market.

#3 Product of the Day on Product Hunt

120k drawings created in the first 30 days

Built and launched in about two months with one engineer

Tested a real-time human-in-the-loop AI interaction model before the pattern became more common

Read about the challenges and learnings

The hard parts

Real-time AI had a very different product feel than prompt-based generation. The question was not just whether the output looked good, but whether the AI felt like it was helping at the right moment.

I spent a lot of time drawing with the product to feel that balance firsthand: where the AI extended an idea, where it corrected too aggressively, and where it drifted away from the artist’s intent.

We also learned that many early users wanted to feel creative more than they wanted a professional creative tool. That created tension between the audience the product attracted and the pricing needed to support real-time generation costs.

Soon after launch, a well-funded AI company released a similar product, which reinforced one of the biggest risks of building at the edge of new technology: being early can create momentum, but it does not guarantee defensibility.

Learnings

Muse Pro sharpened my understanding of control in AI products.

It taught me that creative AI is not only about output quality. It is about timing, authorship, effort, confidence, and how much control the person feels they still have over the result.

It also proved how fast a small team can move when the designer and engineer share the same product vision. We were able to ship something coherent in weeks, not quarters, because the concept, interaction model, and execution stayed tightly connected.

StyleOf: GifStar

2024

Like Giphy, but every GIF has your face. A distribution play underneath.

Like Giphy, but every GIF has your face. A distribution play underneath.

GifStar started as a way to show off StyleOf’s face-swapping technology and quickly became its own product bet. The mechanic was simple: upload one selfie, then put yourself into any GIF. Most face-swapping products needed too many inputs to get a good result. We pushed the experience down to one photo, added curation to keep the content safer, and optimized hard for speed because the whole product only works when the friction is near zero.

The app was fun in chats with friends, but the early signals suggested something larger: 6% free-to-subscriber conversion, ~40 new users daily without meaningful marketing, and a 4.6-star App Store rating. Underneath the novelty was a potential distribution play for entertainment, sports, creators, and brands. At scale, every brand drop, movie release, sports moment, or cultural event could become a personalized content campaign. A movie GIF lets you become the main character, share it, and bring others into the loop.

6% free-to-subscriber conversion

~40 new users daily with no meaningful marketing

6-star App Store rating

Reduced face-swap onboarding to one selfie

Built one React Native experience for iOS, iPad, Android, and web

Read about the challenges and learnings

The hard parts

GifStar had to feel instant. Every extra step weakened the loop, so the work became a constant search for friction: upload speed, GIF selection, generation time, sharing, retries, and moments where users might drop off.

The other challenge was positioning. On the surface, GifStar looked like a fun consumer app. Underneath, it was a content distribution strategy for entertainment, sports, creators, and brands. That made the fundraising and partnership story harder to tell, because the product’s simplicity could hide the size of the opportunity.

We also had to design around safety. Face-swapping is powerful technology, so curation mattered. The goal was not to make an open-ended tool for anything; it was to create a controlled, shareable, high-trust experience.

Learnings

GifStar reminded me that small product bets can reveal much bigger strategies.

A lightweight app can become a wedge into distribution, partnerships, and new business models if the core behavior is strong enough. In this case, the behavior was simple: people like seeing themselves inside culture, and they like sharing it when it feels fast, safe, and funny.

It also sharpened my instinct for product friction. When the loop is this small, every second and every tap matters.

Other products I helped build

Other products I helped build

Nuvi

2011 - 2016

Co-founder

Acquired three times since. $0 to $1M monthly revenue. Started as a lunch-break prototype. Became a real-time social monitoring platform that grew from five people to a few hundred in a year. I patented an approach to visualizing real-time data, designed a suite of products, improved systems while we scaled up, and built reporting features that drove $2–3M ARR on their own. Customers included Amazon, the NFL, and Costco.

Rentler

2011 - 2013

Co-founder

My first real product. Built a rental marketplace from a whiteboard to now over 1.5M users. Me, a founder and two engineers built the foundation. It's where I learned that architecture matters more than features, and that customers tell you what to build if you watch carefully. Still operating today with landlords sending out over 20k lease agreements per month, 5+ million listing views per month and in 3 thousand cities.

GoodLocal

2025 - now

Co-founder

A local commerce rewards network helping merchants stand out over chains and give back to their community. Still unreleased publicly, but it’s a great example of how I build now: brand, product, business model, AI, and code moving together. With one co-founder, I’m designing the merchant and consumer experience, shaping the rewards mechanics, and using AI across research, design, prototyping, development, and custom tooling.

Side quests, built with AI

Side quests, built with AI

Lasso

Exploring

An AI enabled canvas to wrangle routes, components, and artifacts onto one surface to see the full picture. A judgment surface. Like Figma but with live files.

An AI enabled canvas to wrangle routes, components, and artifacts onto one surface to see the full picture. A judgment surface. Like Figma but with live files.

Afterink

2026

A browser-based animation tool I built for GoodLocal. Replaced an After Effects workflow. Optimized export options for web and mobile.

A browser-based animation tool I built for GoodLocal. Replaced an After Effects workflow. Optimized export options for web and mobile.

Figma Component Sync

2025

Built for GoodLocal so I can keep design in sync across multiple products in a monorepo. Code is the source of truth. Figma is the mirror.

Built for GoodLocal so I can keep design in sync across multiple products in a monorepo. Code is the source of truth. Figma is the mirror.

Pikk

2024

A real-time voting and decision-making app. Launch a voting room in seconds, share it, see the decision unfold. Pro version for advanced needs.

A real-time voting and decision-making app. Launch a voting room in seconds, share it, see the decision unfold. Pro version for advanced needs.

Rowsfield

More info soon

Gumroad for on-brand data tables. Built because I spent years living in data sheets and wanted a clean way to share them. Stripe-integrated. AI readable.

Gumroad for on-brand data tables. Built because I spent years living in data sheets and wanted a clean way to share them. Stripe-integrated. AI readable.

Control Workspace

More info soon

Rules for how much control and creativity AI has when creating for you. Paired with a context switching workspace driven by a portable file.

Rules for how much control and creativity AI has when creating for you. Paired with a context switching workspace driven by a portable file.

Curation with an eye for detail

Curation with an eye for detail

Interior Artifacts

Founder & Curator

I began collecting historical design objects in 2010. I didn’t take it seriously till 2016. Now, Sundays are for vintage markets. My eye has found objects that have made their way into high end auctions and inside interiors by Studio McGee, Warner Bros., Ace Hotels and AD100 interior designers. Visit interiorartifacts.com

I began collecting historical design objects in 2010. I didn’t take it seriously till 2016. Now, Sundays are for vintage markets. My eye has found objects that have made their way into high end auctions and inside interiors by Studio McGee, Warner Bros., Ace Hotels and AD100 interior designers. Visit interiorartifacts.com

Closing

Notes

Closing notes

1

Design is how I build

Design is how I build

I’m a builder who reaches for design first. I think in product loops, unit economics, network effects, incentives, workflows, and systems as readily as I think in interfaces. Visual craft matters deeply to me; I just don’t lead with it.

I’m a builder who reaches for design first. I think in product loops, unit economics, network effects, incentives, workflows, and systems as readily as I think in interfaces. Visual craft matters deeply to me; I just don’t lead with it.

2

Systems thinker

Systems thinker

The work I’m most proud of usually becomes more than a feature. It turns into a platform, workflow, marketplace, operating model, or repeatable system that helps users, teams, and businesses do more over time.

The work I’m most proud of usually becomes more than a feature. It turns into a platform, workflow, marketplace, operating model, or repeatable system that helps users, teams, and businesses do more over time.

3

Range is a method

Range is a method

I’ve built across music, real estate, social monitoring, commercial real estate, generative AI, and local commerce. I’ve learned to enter new industries by building software for them. Each industry taught me something different:  distribution, workflow design, data systems, network effects, creator trust, and incentive design.

I’ve built across music, real estate, social monitoring, commercial real estate, generative AI, and local commerce. I’ve learned to enter new industries by building software for them. Each industry taught me something different:  distribution, workflow design, data systems, network effects, creator trust, and incentive design.

4

AI leveraged daily

AI leveraged daily

I use AI throughout the process, but not just to move faster. I observe how it changes the way products are imagined, designed, built, tested, and operated. As creation becomes more fluid and AI noise compounds, authenticity, control, and judgment become more important. I'm actively working to improve the tooling.

I use AI throughout the process, but not just to move faster. I observe how it changes the way products are imagined, designed, built, tested, and operated. As creation becomes more fluid and AI noise compounds, authenticity, control, and judgment become more important. I’m actively working to improve the tooling.

5

Taste earned over time

Taste earned over time

Twenty-five years of design work. Taste is knowing what works, what breaks, what feels clear, what feels trustworthy, and what makes someone want to keep using the thing. Going 0 to 1 requires strong opinions about the system being built and the experience people see, feel, and remember.